Category Archives: Composers

Beethoven’s 4th Program Notes

Ludwig van Beethoven was born in Bonn, then an independent electorate. His baptismal certificate is dated December 17, 1770, and...
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Missed the Philharmonia Baroque on the BBC – listen online!

“[T]he program was as fresh and exciting as it had been when I first heard it,” writes the Examiner.com’s Stephen...
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Rarely Performed Quartets by Quantz and Telemann

Venue: San Francisco Conservatory of Music. Stephen Schultz, flute Lisa Weiss, violin Katherin Kyme, viola William Skeen, cello Charles Sherman,...
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Viva Vivaldi!

January 23, 2010 Venue: San Francisco Conservatory of  Music. Cynthia Miller Freivogel, violin Carla Moore, violin William Skeen, cello David...
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Contemplating Messiah

It's an honor to write on Messiah. Being one of a multitude of writers to take on Handel's perennial hit doesn't dilute the privilege one bit; if anything, it enhances the experience.
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November Program Notes: Vivaldi’s Four Seasons

Arcangelo Corelli (1653-1713) Concerto Grosso Op. 6, No. 11 in B-flat Major In an era of harried composers whose livelihoods...
Also posted in 30th Season, About Early Music, Audience Development, Concerts, Education, History, Program Notes | Tagged | 1 Comment

Baroque Masters: Rameau and Bach

Did you miss this past weekend’s Radio Broadcast Series on 102.1 FM KDFC with host Nicholas McGegan? Don’t worry, you can...
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October Program Notes: Bach’s Wedding Cantata

JOHANN SEBASTIAN BACH Orchestral Suite No. 1 in C Major, BWV 1066 It’s worth remembering that the Baroque era (1600–1750)...
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September Concert Prelude: “The Demonic in Mozart”

Anthony Martin, violin and viola,  joins us to pose the question “what’s so special about D minor?” The Piano Concerto...
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Nic on September’s “Robert Levin plays Mozart” Concerts

Here it is, the first of this season’s “Nic Notes,” where our Music Director discusses the upcoming concert in his...
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September Program Notes: Robert Levin plays Mozart

Mozart: Incidental Music to Thamos, King of Egypt, K. 345/366a The story of Thamos, Mozart’s sole foray into incidental stage...
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Soccer: Baroque? Classical? Romantic?

Do you have soccer (ahem… football) fever like many of us in the office? Maybe you can answer this bit...
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Closing out 20 years: Nic and the Göttingen International Handel Festival

Today, our Music Director Nic (right) conducted the final performance of the Göttingen International Handel Festival – the dark opera...
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An influential afterlife: Exploring Orlando Furioso Part 3

Michael Wyatt joins us for the final post on Orlando furioso (read Parts 1 & 2): A mere summary does...
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Into the crazy world of Orlando: From our Handel expert (and Music Director) Nic McGegan

Nicholas McGegan joins us again to let us know what’s so special about George Frideric Handel’s opera Orlando, which the...
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Nic on performing Brahms: Pt. 5

Nic is back for his final post! Want to learn more about performing Brahms on period instruments? Listen to our...
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Nic on performing Brahms: Pt. 4

Nic continues his post about the style that the orchestra will perform Brahms in this week: Tempo – Brahms was...
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Nic on performing Brahms: Pt. 3

So we now know about how Nic researched contemporary performances of Brahms’ work and we also know a little about...
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Nic on performing Brahms: Pt. 2

We don’t know if you saw it, but Jonathan Rhodes Lee wrote a great preview of February’s concert on San...
Also posted in About Period Instruments, Concerts, Nicholas McGegan | 2 Comments

Nic on performing Brahms: Part 1

We are excited to post Music Director Nic McGegan‘s first blog entry for A415 today! This is the first of...
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